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International Journal of Beauty Science and Technology

Volume 2, No. 2, 2018, pp 31-36
http://dx.doi.org/10.21742/ijbst.2018.2.2.06

Abstract



Korea Yeon-Ji research based on formative characteristics and aesthetics



    Kee-Jung Barng1
    Principal Research Engineer/PhD, Research Institute of Good Gate, Inc.,
    Wp2848@gmail.com

    Abstract

    Oriental rouge for red is a symbolic sign. The human race is an important symbolic character, since the prehistoric period, and one of the ways to use the colors of the human body is colored. Body painting is highly variable coloration is temporary, depending on the tribe or nation and another era with this transition as iconic. The Oriental rouge makeup of China, Korea, and Japan, the type of rouge makeup has been formed with the incantation, beautification, invocation, protection, and expression. According to the modeling microanalysis of the Oriental traditional idea, by applying the material characteristic of the Orient image as the beautification, invocation, and expression characteristic center, the form of work for the makeup research that it applies Korea rouge makeup characteristic reflected the infinite, both sides, nature, and humor characteristic to the work. Colors are centered primarily in Asian image representation white, black, and red, as a secondary five color were used. The texture was rough and used the texture without the polish the hard texture as the basis and it reflected the dismantling image. It expressed built with no change of Korean image through the use of color of the various colors with the visual angle and ships name for the sense of touch pleasure. It used Korea modeling form as the point.


 

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